Based on the lyrics of Neil Peart and the Rush album of the same name
I am as die-hard of a Rush fan as one can be. I know their whole history, have all their albums, know a huge chunk of their songs note-by-note, and as a life-long drummer I worship at the altar of Neil Peart. Their 2012 album Clockwork Angels followed their excellent record Snakes and Arrows and continues Rush’s long tested style of fusing traditional hard rock with the funkier elements of old-school prog rock. My wife and I were lucky enough to see Rush live in Halifax in 2013 (it was my son’s first concert, as my wife was very pregnant at the time). This was a fantastic album, the musicality was aggressive and highly complex and the lyrics married Jules Verne-esque imagery and socio-political themes. The album was masterful, and I think their best since Signals (bold statement, but I stand by it).
I didn’t know that a “novelization” of this record existed until the publisher, ECW Press, held a twitter contest to win a signed copy of the hardcover book. I assumed Neil Peart authored it, but it was only based on his lyrics, Kevin J. Anderson was the actual author of the novel (all I know about him is that he’s written numerous Star Trek and Star Wars novels). Clockwork Angels may be unique; I cannot find any references to another album being adapted into a novel. My expectations were not high. And that was a good thing.
This novel was steampunk through-and-through. It’s the first such novel I’ve read and it is a genre that I’m not overly familiar with. Essentially, it’s reminiscent of what hard sci-fi from the Victorian Era would have looked like (H.G. Wells’ The Time-Machine could be considered a precursor). So what can I say…this is a genre novel, by someone who writes Star Trek and Star Wars fiction, based on a prog rock album… Clockwork Angels wasn’t a bad book, it was ok, but it’s better described as airport reading and it certainly isn’t a classic.
My biggest issue with this book is whether or not I’m supposed to take it seriously or not. Rush has a real self-deprecating sense of humour. If that is the case with this book, it makes the story a little better. Every few pages, Anderson managed to jam in some Rush lyrics or song titles, so this produced a lot of groan moments. The story also dragged a little bit. The novel portion of the book runs 290 pages (the volume also includes all of the album lyrics and an afterword by Peart – the best part of the book), but the story could have easily been told in a 100 page novella.
This book wasn’t all bad though. Anderson played with some interesting themes, like despotism and the classic coming-of-age story; he also did a great job of capturing the imagery of Peart’s lyrics. The author’s strength is how he writes action scenes; these were very vivid and really capture the moment (much the same way Michael Bay movies are really good at making things go boom). The highlight of the book has to be the actual physical book itself. The page design is beautiful, each chapter starts with a page that looks like parchment, and the novel is filled with incredibly eye-pleasing illustrations by Hugh Syme, the Juno-winning artist who designs all of Rush’s record covers.
If you’re into steampunk or just looking for a book that doesn’t require a whole lot of deep thought then this may be a book for you. If you’re a hardcore Rush fan, like myself, than I would recommend you read this simply for the novelty of experiencing the adaptation of an album into a book (I really think, despite what Peart says in his afterword, that Rush fans are really the sole target for this novel). If you fit neither of these categories, you’d be safe to skip this and move on.