The Song of Kahunsha by Anosh Irani


Selected for Canada Reads 2007

Contemporary CanLit has a large and important sub-group of stars like M.G. Vassanji or Rohinton Mistry who are, in the scope of literature, Canadian only in terms of residency. Typically relocating here as an adult, these writers’ style is informed by the culture and events of their home countries. Stories rarely take place in Canada, and if they do it is often only as a reflection point in the present while the meat of the book is set in Africa, or India, or Pakistan in past times. This category of Canadian writing has been very influential on the literary scene, all of the major literary awards have been won by immigrant writers with non-Canadian settings, several have appeared on Canada Reads, and many find their way on bestseller lists. These writers greatly expand the very definition of CanLit and enrich our literary culture and canon with a variety of perspectives and experiences that the average Canadian could not even imagine.

Anosh Irani is one of those writers. Born in Bombay, India in 1974, Irani moved to Vancouver in 1998 to attend university and has since made a steady name for himself as a fiction writer, playwright, and creative writing professor. His nationwide big-break came in 2007 when Donna Morrissey championed his 2006 novel The Song of Kahunsha on Canada Reads.

Set over three days in 1993 in the midst of the sectarian riots in Bombay, The Song of Kahunsha tells the story of Chamdi, a ten-year-old boy who is forced to leave his orphanage and survive on the mean streets of the city. He befriends two other street-kids, brother and sister Sumdi and Guddi. The pair is trying to scrape enough money to survive after their father was killed and their mother lost her mind. Chamdi reluctantly joins them and subsequently falls under the control of the ring-leader, a vicious sociopath named Anand Bhai. As the city degenerates into violence, Chamdi is dragged further into this underworld, albeit unwillingly, and ultimately makes a horrific choice that will no doubt haunt him for life.

I greatly enjoyed this book. It was a nice change to venture outside of Canada and get a different perspective and set of values. While I really enjoyed it, The Song of Kahumsha is a very sad book with very little hope in it. Themes of slavery and the nature of freewill permeate the novel and, ultimately, it feels like there is no chance of escaping this desperate situation. While this is perfectly realistic, you may need to pop out some Zoloft by the time you get through the book. The one tiny sliver of light in this dark and gritty story is buried deep in Chamdi’s soul. He had a rough ride over the three days we spend with him: he has to leave the orphanage, he finds out his father abandoned him when he was an infant, he must compromise his morals by begging and thieving, he endures physical harm, people close to him die, and he is forced to make a terrible decision that is incomprehensible to anyone let alone a ten-year-old. But, throughout all of these hardships, Chamdi never loses his sense of morality; he knows the difference between good and evil and this is why his choices, even though they’re made under duress, eat at him. Jim Cuddy criticized this novel as being picaresque because Chamdi doesn’t really change significantly as his world collapses. In my reading though, this is the one glimmer of hope – the spirit of this precocious child remains intact.

Overall, this is a great book, a fast read, and powerfully written. It’s definitely worth the read.

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