Winner of the 2004 Mary Shelley Award for Outstanding Fictional Work
Nominated for the 2004 Arthur C. Clarke Award
New York Times Notable Book ~ 2003
Los Angeles Times “Best of the Best” ~ 2003
Economist Best Book of the Year ~ 2003
Newsday Favorite Book of the Year ~ 2003
William Gibson is a very important writer; he is a pioneer of contemporary sci-fi sub-genres steampunk and cyber-punk, he has coined many terms in popular culture – most notably “cyberspace”, and he was one of the first writers to really integrate our current techno-society into science-fiction, if not fiction in general. Gibson immigrated to Canada in his youth to avoid the Vietnam War draft, although he admits it had more to do with living the 60s counter-culture lifestyle as he wasn’t actually drafted. Gibson is one of those writers who is required reading for those interested in variety of literary topics: sci-fi, contemporary CanLit, and the literature of draft-dodgers. Pattern Recognition is my first William Gibson novel and it was also his first novel to gain mainstream attention and climb up the big bestseller lists. This particular title landed on my shelf because it was on the longlist for Canada Reads 2011.
This is the story of Cayce Pollard, a marketing consultant with an unusual sensitivity to trademarks and logos. She removes all labels and identifying corporate symbols from her clothes and avoids direct contact with them. As the novel progresses, we are drawn into her hunt for the “footage,” a series of mysterious film clips posted online that represent the absolute pinnacle of artistic beauty. Cayce’s employer, Hubertus Bigend, offers her the full use of his company’s unlimited resources to find the “maker” of these clips for an unspecified purpose. This journey takes her and the supporting cast to London, Paris, Tokyo, Russia and, most importantly, deep into the online world.
Pattern Recognition is not a sci-fi novel per se, but it certainly has a sci-fi feel to it. The movement of the story, tone, and characters are very reminiscent of sci-fi, but, really, there is nothing in this book that is implausible for its time. I would argue though, that this is sci-fi, but it is soft, rather than hard sci-fi. It’s steeped in the social sciences rather than hard sciences like physics and engineering. This story plays with psychology, psychiatry, human behavior, sociology, and even criminology.
It’s been two days since I’ve finished this novel and I still can’t really give a definitive answer as to what I thought of it. There were parts and elements that I greatly enjoyed and others that almost made me put the book away. The quality of writing is very literary and the characters are well developed; as I thought about it, I would have to say pacing was the biggest frustration. I have the pocket paperback edition and it clocks in at 367 pages – so it is not a huge book. As I read it though I would alternate feeling like the book was way too long and other points where I felt too much was happening too fast and details were being lost. This is very apparent in the last 15% or so of the novel; it felt like Gibson was about to default on his deadline and needed to wrap things up quick. The book’s concluding chapters left you felling like you had just spent the last week trying to untangle a ball of yarn, then you got frustrated and asked your wife to do it, she then untangles it in about 10 seconds and says “you saw how I did that right?.” The last 35 pages were way too much story in too short a time.
Pattern Recognition, despite my criticisms, was an interesting read. It’s ahead of its time (2003) in many ways by looking at the concept of viral videos, exploring living in a post-9/11 world, examining online personas and virtual lives, and the seemingly never ending push of global corporatism. Overall though, Pattern Recognition just gets a “meh.”