Margaret Atwood has written a number of books that break through traditional notions of short stories and poetry. These books, Good Bones, Murder in the Dark, and most recently The Tent, all blur the lines. This short volume, only coming in at 70 pages, contains pieces that range from short prose poems, mini-literary criticism manifestos, speculative pieces, metaphysical musings, and mini-romances. Murder in the Dark was Atwood’s first collection like this, and in my opinion, the best of the three. Every page of this book pushes you like no other writer can.
Many of the pieces in this collection explore themes of seeing what is in front of you and absorbing the world around you; she does this through matters of love, literature, growing up, and gender roles. Many of the prose poems twist your mind and attempt to demystify life’s little mysteries. Atwood’s flair for language is on display in this book like very few of her works that came before it; she shows why she is considered a master of the English language.
This book is a very quick read and a great example of Atwood’s style. Traditional literary genres and constraints are of no concern to the author; she creates her own genres and her own traditions to tell stories and express thoughts that are topically simple but thematically complex. Atwood attempts to answers basic human questions in 70 pages but forces you to open your mind, and ask new questions.